Natanyahu Satirizes Copyright Abuse

April 18, 2013

erez nehedereterez nehederet 2

Tuesday was Israel Independence Day. In addition to participating in the Junior Bible Quiz, the award ceremony for soldiers and the Israel Prize Awards, the Prime Minister, Binyamin Netanyahu also found time to participate in Eretz Nehederet, a popular political satire television show.  Whether or not it is becoming of a Prime Minister to take part in such shows is something that I will leave to each reader to decide. It is certainly a strength of Israel’s democracy that such a program can run on Israel television, and is probably a good sign that the prime minister can let his hair down occasionally.

In response to a question regarding the national deficit, Netanyahu pointed out that he had coined the term Eretz Hehederet (a Great Country), and so the TV show was plagiarizing him. Whipping out a calculator, and based on the number of episodes, promo clips, newspaper advertisements and repeats, Netanyahu estimated that the copyright royalties he was due were approximately half the national deficit, i.e. about 20 Billion Shekels. Obviously his focus was not on copyright abuse, but some of the court cases regarding copyright infringement are a little like this, and we were reminded that many a true word is spoken in jest, or, as Geoffrey Chaucer put it in The Cook’s Tale, 1390 “But yet I pray thee be not wroth for game; A man may say full sooth in game and play“.

 


Posting RSS feed items not considered copyright infringement

February 22, 2013

RSS

Petah Tikva Magistrate’s Court Judge Oshrit Rothopf has ruled that a News Website News1.co.il did not infringe Tomer Apfeldorf’s copyright by posting items from his RSS feed.

Apfeldorf, a lawyer and blogger, claimed that News1 had posted both written content and visual items from his RSS feed; in some cases changing aspects of the posted items. News1 did not deny that it had posted content from Apfeldorf’s RSS feed, but claimed that because of the nature of RSS feeds and Ofaldorf’s use of this technology, the posting of such items, even without permission, did not violate copyright law.

News1 argued that RSS is a family of Web feeds – data formats used for automatically providing Web users with frequently updated content without their having to search for the content once they have subscribed to the “feed.” Those who subscribe via a weblink from the online site from which they wish to receive the feed will get regular updates aggregated into a standardized format and sent to them. The feed may include anything from blog entries and news headlines to audio and video items.

Apfeldorf had a copyright law expert, Gad Oppenheimer, testify on his behalf that News1’s posting of items from his RSS feed violated copyright law. Oppenheimer emphasized that the purpose of RSS is to maximize distribution and ease of receipt of content from the content creator to others, but that its use does not grant a special right to those who receive the content to post it themselves or to do anything else with the content other than to view it. Oppenheimer essentially argued that there was nothing special about RSS feeds or Ofaldorf’s use of them that would allow posting content without permission.

However, as an expert witness for the defendant, Dr. Yuval Dror testified that RSS and Ofaldorf’s use of the technology did remove the normal constraints of copyright law. According to Dror, using RSS and particularly sending full content through a feed and not mere headlines, is a sign that the content creator wants to maximize the exposure of his content, including by having those who receive the RSS feed post it on their own sites. Dror also argued that the creators of RSS were innovators most concerned with free distribution, sharing and posting of cultural content, not with aggressively defending copyright considerations.

The court accepted Dror’s argument, noting that News1 credited Apfeldorf each time it posted his items, ruling that others could expect that he did not object to their reposting his items, and doing so was fair use. Furthermore, the court noted that once Apfeldorf informed News1 that it did not have his permission to post from his RSS feed, News1 immediately took down the posts. Both giving credit and immediate removal upon receiving a warning were taken by the court as indicative that News1 was acting in good faith.

It is important to note that the court did not hold that posting items from the RSS feed of a third party was never copyright infringement.

The case: CF 45536-07-11 Apfeldorf v Itzhak et al. – ruled by Oshrit Rotkopf.

COMMENTS

I think that Judge Rothopf got this right. Using RSS feeds implies a waiver to recycle the material with credit.

The present blog article is a reworking of a piece by Jeremy Bob that was published on the Jerusalem Post website – see http://www.jpost.com/NationalNews/Article.aspx?id=303992
I think it is fair use. I generally obtain and review the original court decisions which are public domain, but I do not believe that news facts are subject to copyright – although am, of course familiar, with arguments to the contrary by the suffering newspaper industry. I have both removed Jeremy Bob’s opinions and analysis and credited the source. I consider this to be fair use and indicative of good faith.

Copyright Law really does need to be reevaluated in the modern world. The Current Israel Law provides for very high compensation per infringement without proof of damage. This is often unreasonable and inappropriate  There is a general lack of consistency in copyright rulings by the courts.


The Legal Treatment of Reusable Software: Israel and the EU – a talk by Neil Wilcof, sponsored by LES

February 18, 2013
recycle softwareThe Israel branch of the Licensing Executive Society, LES Israel, is pleased to host LES member Neil Wilkof, who will speak on the topic:
 The Legal Treatment of Reusable Software: Israel and the EU”
Trading in software licenses is a frequent occurrence, but the legal position is uncertain. The talk will consider the approach taken in Israel and the EU.
The event will take place at Beit Hapraklit, 10 Daniel Frisch St., Tel Aviv, on Tuesday, February 26, 2013,at 8:30am.
The event is free to LES members (FY 2012/2013)
Non-members:   50 NIS charge
Kindly confirm your participation by return e-mail to les_israel@yahoo.com.

Israel Supreme Court Overturns Copyright Ruling Concerning Grammar Textbooks

October 29, 2012

Rivka Motzi, Michal Shachar and Reches Education Publishing LTD published a couple of grammar textbooks for matriculation in Hebrew Grammar.

Both Rivka Motzi and Michal Shachar are experienced grammar teachers. So is Rachel Kabli, who had previously published a range of textbooks.

Judge Pilpel of the Tel Aviv District Court (Court of First Instance) ruled that 6 of Kabli’s textbooks were infringed by Motzi and Shachar’s text, and ruled statutory damages of 20,000 NIS x 6 under the old copyright ordinance. She discounted 10,000 NIS as n one case the publisher who was a co-defendant apparently had rights in the first set of texts, and so found literal infringement of 110,000 NIS. She went on to find moral rights infringed as well, and so doubled this award.

On grounds of Unjust Enrichment and pain and suffering, she ruled a further 300,000 NIS, giving a total award of 520,000 NIS plus a further 50,000 NIS in legal expenses to the plaintiffs.

On appeal, the plaintiff tried to show further cases of infringement regarding teacher’s aids, and to up the damages. The defendants argued that one should consider the works as a whole, not look at examples in isolation and also argued that one was not entitled to statutory and actual damages.

Supreme Court ruled in favor of the defendants that one could not fairly be awarded statutory and actual damages.

The decision, written by Y Amit, emphasized that although copyright subsists in works concerning highly technical subject matter such as grammar text books,  it is not pedagogic tools or concepts that are copyright protected, but rather the expression of these.

The Supreme Court also went on to rule that when considering copyright infringement of literary works one has to consider the work as a whole and not simply look for points of similarity. The judges noted that the subject matter is defined by the rules of the language and the matriculation syllabus set by the Ministry of Education. Conceptually, it makes perfect sense to arrange verb construction tables in order from simplest to hardest, and even if one author was the first to realize that the so-called Kal – Simple Verb Construction, is actually the most difficult, this is factual and there is no copyright protection in the discovery. Similarly, choosing to conjugating a particular verb, such as that for harvesting olives, because of its exemplary nature in demonstrating an irregularity is not the type of thing that copyright extends to.

Summarizing a chapter’s content with flowcharts is another example of a pedagogic tool that cannot be protected. The Judge noted that the actual flowcharts were different, and thus one was not a copy of the other. Other competing grammar texts were examined and the Appeal judge felt that the allegedly infringing texts were at least as similar to those as to the textbooks of the plaintiff.

After an erudite and highly grammatical analysis, Judge Amit went on to throw out the claims totally and to award the defendants 100,000 NIS in legal fees. Judges Fogelman and Chayot concurred.

The Case: Appeal and Counter-appeal to Supreme Court re 10242/08 Motzi, Shachar and Reches Education Publishing LTD vs. Kabli, decided 10 October 2012.

COMMENT

We note that Judge Pilpel has got IP Law, specifically Passing Off ‘ trademarks and design law wrong in the past. See here  and  here.

We think that the Supreme Court’s reasoning is correct. I have not reviewed the various grammar texts and since my wife is a native Israeli and I am an immigrant who studied Hebrew in Ulpan aged 24, I shall let my wife help the kids with their matriculation in Hebrew Grammar, and concentrate on trying to explain the peculiarities of English to them.

This case may have ramifications on the Shapiro vs. Ragen plagiarism case that is on appeal to the Israel Supreme Court.


Copyrights and Wrongs – One Israel Newspaper Receives Damages for Acredited References to Another

October 21, 2012

As reported by Yona Jeremy Bob of the Jerusalem Post, here,  the Israel Central District Court recently awarded approximately NIS 6 million to Ma’ariv, holding that certain affiliates of The Marker, Haaretz’s business-focused publication, infringed Ma’ariv’s copyright by using some of Ma’ariv’s material on its website during the years 2000-2002.

Ma’ariv sued for 15 Million, so the damages received are less than those sought. Also, not all defendants were found liable. The issue relates to The Marker including a round-up of what other papers were saying, where Maariv as a paper was accredited, but the individual journalists were not identified.

Maariv won the case by noting that The Marker had argued similar infringements themselves, and thus were estopped from challenging the claim that such use is infringing.  Maariv claimed statutory damages of 2o000 NIS per infringement, but the courts ruled 10000 NIS per case.

We note that it is a well established principle that news facts are not copyright.  I am wondering whether brief excerpts accredited to the newspaper cannot be considered fair use?

We wait to see if The Marker appeals this. At the end of the day (pun intended – Maariv means evening) one would expect a fair amount of overlap in content of all Israel business papers.

In the meantime, you will note that I’ve carefully attributed the author of the article about this in the Jerusalem Post…


Israel Patent Agency Publishes Report on Activity in 2011

August 12, 2012

The Israel Patent Office has published their report for 2011.

According to the report, the Israel Patent Agency successfully completed the examination of more patent and trademark applications in 2011 than in previous years.

The number of new patent applications filed is slightly down. The number of trademark applications filed is slightly up, but now about half the trademark applications filed are being filed via the Madrid Protocol, so there is less work for local trademark attorneys to do.

As a precondition for Israel to become an International Search Authority, it was required to have at least 100 patent examiners. As of December 2011, there were 101 examiners and trainees.

The report included a nice obituary for Ms Nurit Maoz, who was head of the trademark department prior to her untimely death.

There were some odd sections to the report. For example, in an anonymous survey of  client satisfaction, the Israel Patent Agency scored a high 4 or 5 across the board. It is not clear whether these are marks out of 5, out of 10, or some other number. Also not stated is how many patent attorneys and lawyers were surveyed and how many bothered to respond. 

On the whole though, the report was clear and comprehensive, and held few surprises in terms of numbers of patent, design and trademark applications filed, their breakdown into countries of origin and technologies to be protected.

What did surprise me is that the number of new applications first filed in Israel was down to 995, which is the lowest for a decade. It is not clear if this indicates a dropping off in patenting activity by Israeli applicants, or if they are tending more and more to first file provisional applications in the US. There were some 5,891 national phase entries from abroad, also down from last year, but less dramatically.

Another odd statistic is that modified examination under Section 17c of the law was apparently applied in 514 cases for patents relating to mechanical, electronic, computing and medical devices, but only applied in 198 cases for chemistry and 113 cases for biotechnology. This may indicate that pharma applicants remain reticent about invoking section 17c as it has not been discussed by the courts. Without an indication of what percentage of applications in each of these categories were examined substantively and which were examined under Section 17c, it is difficult to draw conclusions. 

It seems that there is a significant increase in the number of applicants that have requested accelerated examination.  What is not clear, is whether these are first-time filers considering filing PCT applications or directly filing abroad and taking advantage of the enhanced abilities of the Israeli examiners, or whether this reflects a growing (perceived) importance in having an Israeli issued patent. 

For reasons not explained, in addition to the ubiquitous bar charts, the graphical image used to illustrate the report was a paper dart. It is not clear to me what this symbolizes. I didn’t print out the report, but reviewed as a PDF on my computer screen, and suspect that the more diligent of my colleagues did the same. The Israel Patent Agency is largely paperless and so the choice of this graphic seems an odd one.

The report may be found here


Family of Lexicographer Even Shushan Receives Compensation from Publisher for Copyright Infringement

July 30, 2012

The Israel Supreme Court has ruled that the publishers ”Tarbut l’Am” (lit. culture for the people) should compensate the inheritors of the lexicographer Abraham Even Shushan for dictionaries sold since 1999.

Back in 1993, some 9 years after the lexicographer passed away, the descendents of Even Shushan, Dafna Shefer, Yuval Even Shushan and Miriam Even Shushan sued publishers Kiryat Sefer (Book-Town), and in 1998, Judge Esther Chayet, then of the District Court, issued an injunction against the publishers, preventing direct or indirect sales of the dictionary, and ordering that the inheritors receive 10 million Shekels compensation. However, the owner of Kiryat Sefer, Abraham Sivan, left the country and the plaintiffs never received anything.

The inheritors went on to sue the owners of Tarbut l’Am for continuing to sell dictionaries purchased between 1993 and 1998, but the court accepted that Tarbut l’Am purchased these dictionaries in good faith and were unaware of the legal proceedings.  On Appeal, Judge Meltzer ruled that the copyright returned to the family on their terminating the agreement, and all copies sold by Tarbut l’Am after they were put on notice by the families that the books were illegal copies were considered as willfully infringing. The claim of purchase on the market is an acceptable defense only up until being warned that the copies were infringing, but couldn’t use that as a defense to keep on selling the books, and so continued distribution after receiving and Cease & Desist notice was considered actionable copyright infringement.

The Supreme Court referred the case back to the district court to rule on compensation to the inheritors and ruled NIS 50,000 against the distributors.

The case: Civil Appeal: Shefer and others vs. Tarbut L’Am


Book Review: Intellectual Property Law and Practice in Israel

July 15, 2012

When I first saw this book I suspected from its thickness (36 mm (1 15/32″  thick) that the authors had resorted to the well known strategy of adding appendices such as copies of the Israel Patent Law, Trademark Regulations, Copyright Ordinance and the like. This is not the case. The book runs to 632 pages of analysis, with a further 50 pages taken up with a table of cases and an index. There is no gratuitous padding. The book is simply a fair attempt to provide a detailed overview of IP in Israel and its length reflects its comprehensiveness.

As a thorough overview of intellectual property law in Israel, the book succeeds. It covers patents, copyrights, trademarks and designs, unjust enrichment, trade secrets, passing off and related rights.  It is the result of significant research by the authors, and though one can quibble with the odd opinion expressed, the book is authoritative. It is certainly a worthwhile addition to the library of any practicing Israeli patent attorney or IP lawyer.

Unfortunately, the readability of the book suffers from the lack of professional editing and the writing style provides constant reminders that the authors are not native English speakers. Paragraphs are long-winded and repetitive. Sentence syntax reminds one that the authors are used to writing in Hebrew. Sometimes, such as where copyright infringement by DJs at ‘wedding hauls’ is discussed, the typos are amusing. Generally, they are simply tiresome. I suspect that tighter writing could have slimmed down the book, shortened paragraphs and made it easier to comprehend without compromising on its comprehensiveness. That said, when allowing for the fact that the authors are not writing in their native language, the standard of the English is impressive. It is certainly better than my Hebrew. Nevertheless, the book is a little tedious and difficult to read because of language issues, and it’s a shame.

As would be expected from a legal text, judicial doctrines are discussed with reference to the case-law. Since the cases referred to are rarely available in English, I believe that the book would have been enhanced by an appendix abstracting the details of each case and providing a one page overview covering the specific issues and the legal significance. The cases could be arranged by subject or chronologically, with reference keys to facilitate the reader to find precedents of interest. I note that Machshavot who publish such overviews of case-law (in Hebrew) do not have a volume covering IP decisions. Although such an appendix would make a long reference work even longer, I think this would be a worthwhile addition, and would probably result in the thematic sections being shortened and would minimize repetition.

I suspect that the authors, who are both attorneys-in-law, in choosing to refer to follow the US convention and refer to licensed Israel patent attorneys as ‘patent agents’ will not endear themselves to their fellow professionals with technical backgrounds who universally and correctly translate the Hebrew term as Patent Attorney and refer to themselves as such. The training in IP law that Israel Patent Attorneys undergo includes two-year mentoring which is twice as long as that of law students. Both the written and the oral exams are difficult and the oral exam in particular, has a very low pass rate, particularly when considering the academic qualifications of the participants. Indeed I suspect that this book will be very widely used by trainee patent attorneys preparing for the Israel Patent Office oral exam.

The book, including it’s cover, weighs in at 1022 grams. It’s an attractive volume.

Intellectual Property Law and Practice in Israel by Eran Liss and Dan Adin, Oxford University Press May 2012  – ISBN: 9780199917419 (13-digit)  ISBN: 0199917418 (10-digit) – $225 from the publishers.


Israel Court rules that there is copyright in a font and Microsoft ordered to pay 512,000 New Israel Shekels

July 9, 2012

Back in October 2010, we reported an interim decision by Judge Grosskopf that fonts are copyright protectable. See /copyright/

Professor Grosskopf has now issued a full ruling on the subject as follows:

Fonts are copyright protected. Koren is a copy of the famous font that Eliyahu Koren developed in the 1950s for printing the Bible which is copyright protected. Koren-Guttman, available in Hebrew Office packages is considered a copy of Koren’s font.

As of 1 January 2013, Microsoft will no longer be able to provide Koren-Guttman or Narkiss fonts bundled into Microsoft Office software but Microsoft will not have to recall software distributed that includes the font.   In addition, Microsoft will have to pay 400,000 New Israel Shekels in statutory damages and 112,000 New Israel Shekels costs to the plaintiffs, Zvi Rosenerg, Masterfont and Koren Publishers.

The statutory damage award was reached by awarding maximum statutory damages under the old copyright ordinance of NIS 20,000, but awarding this sum per font for each software program, and considering variant fonts such as bold and italic as separate infringements, noting that they are separate designed fonts and not created on-the-fly by applying a transformation to the main font.

The Case: T. A. 5315-04-08 Koren Publishing House and Others Vs. Microsoft Israel and Others. 

COMMENT

In the text shown above, the opening phrase of the Bible, “In the Beginning, G-d created…” is shown in both Koren and Microsoft’s variant font. The similarity is quite striking. Microsoft’s defence was that fonts should be protectable as designs and not as copyright, and where not registered, and therefore are in the public domain. Of course, were the font registered, it would have long ago entered the public domain as design registration in Israel is good for up to 25 years. Copyright is for life of author + 70 years. Eliyahu Koren passed away in 2001, so it will be a while before his iconic font can be distributed for free.

It is not clear that the standard term of copyright protection is appropriate for fonts. Grosskopf is critical of the one size fits all copyright approach but believes that the courts should apply the law, and leaves copyright reform to the Knesset.


AKUM sues Kul al-Arab on behalf of Arab Musicians

June 18, 2012

AKUM – the Association of Composers, Authors and Publishers of Music in Israel, together with the French guild Sacem, which protects the copyrights of many Arab musicians around the world, is suing Nazareth-based Kul al-Arab,Israel’s leading Arabic-language media outlets for one million shekels, claiming copyright violation.

Akum claims that Kul al-Arab has not paid royalties for hundreds of songs its online radio station has played and that it allows website users to illegally download songs for their unlimited use.

The Haifa District Court has imposed a temporary injunction prohibiting Kul al-Arab from making any use of the musical repertoire created by Acum members. The temporary injunction specifically targets the Kul al-Arab website, which the suit says “serves as a platform for callous copyright violation.”

“Acum represents all artists from every sector of the population, so any media outlet that violates the copyright law will be targeted,” said Acum CEO Yorik Ben David. “The owners of Kul al-Arab do this consistently and callously, and the time has come for them to give an account for this to the artists who have been harmed by their actions.” “The website features more than 800 music videos, more than 10,000 musical compositions, hundreds of movies and hundreds of TV shows,” the suit claims, alleging that anyone who goes to the site can download pirated copies of copyrighted compositions and use them with no restrictions, licenses or payment to those who own the copyright.


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