Israel Patent Office denies authority to retroactively restore the priority period for design registration

October 16, 2011

If an Israel design application is filed within six months of an identical application filed abroad in a Paris Convention country, the Israel application is entitled to the effective filing date of the foreign application.

In Design Application No. 51361 to Serti, the application was filed more than six months after the corresponding foreign application was filed and the applicant petitioned for a retroactive extension of time. Yaara Shoshani Kaspi, the adjudicator at the Israel Patent Office refused the request ruling that the Israel Patent Office had no authority to consider such requests. Consequently, she didn’t relate to the grounds brought.

COMMENT

Shoshani Kaspi is correct. In this instance, there is no indication what the design is, whether the attorney was at fault for missing the date, or if there was an oversight due to something attributable to an Act of God, like an earthquake, or something more mundane like technology failure. Was this a last-minute mistake wrongly assuming the Israel Patent Office was closed on a Sunday, or something similar?

There is no indication what the design in question is, so it is not clear if all is lost or whether the design could be protected by copyright, trademark law or unjust enrichment.

 


Generic Body Warmers

September 4, 2011

S.P.B. Equipment LTD and T.T.L.M. Systems (Israel) LTD, both owned by Shai Popper supplied chemical body warmer packages to the Israel Defense Forces (IDF) and to private customers through survival and camping stores.

The packages have a specific shape, are coloured yellow and show instructions for use and various warnings in Hebrew and English. They also include a Use By Date.

The packages are manufactured in by Tianjin Comfort in China where they are sold as Body Warmers. Popper, however, sells these devices as High Quality Body Warmers.

Apparently, over a 10 year period, during which Popper had a significant market share if not an absolute monopoly, Popper sold some 5,000,000 units.

EliKal LTD. was created by a Mr Eli Even-Chen in 2005 after Even-Chen served as Head of Logistics and Equipment of the IDF over the years 2002 to 2004.

After several failed attempts, EliKal succeeded in winning the army tender.

EliKal’s body warmers were also sold as High Quality Body Warmers, had the same shape, were coloured yellow and had very similar texts printed on them. Furthermore, EliKal used a similar website with similar content to that of Popper’s companies, to advertise his products.

Popper sued, claiming passing off, unjust enrichment, famous mark infringement and copyright infringement, claiming statutory damages of NIS 100,000 and absolute damages of a similar sum.

In analyzing the two cases, Judge Avraham Yaakov noted that the general issue of to what extent suppliers had rights in markets they were dominant and where fair competition allows others to compete. Essentially the issue was one of where lied the public interest. He went on to point out that one could ask for statutory damages or actual damages, but not both in tandem.

Somewhat confusingly, Yaakov rigorously applied the triple test, and related to the sounds of the two names, as well as to the appearance of the products. Ruling that High Quality Body Warmer was simply a laudatory version of Body Warmer, who rejected the complainants allegations that he had somehow acquired rights in the product name through good will and reputation. However, the bottom line was that the term High Quality Body Warmer was simply a laudatory version of Body Warmer, and the shape of the article was not unique to the complainant, since the product was available from Chinese suppliers as an off-the-shelf product.

Since the IDF knew exactly who they purchased goods from, at least as far as the army was concerned, there was no case of passing off to answer for. Regarding the private market, the complainant stated having some 1,000 regular clients, but did not substantiate this claim, so the charges of passing off were also rejected.

Judge Yaakov went on to rule that despite the close similarity in instructions and warnings printed on the two packages, the Hebrew text was largely dictated by the army mil. spec. and the English language version was largely supplied by the manufacturer. For such products, the scope for creativity in instructions and warnings was limited. Consequently, Popper did not have copyright in the instructions.

Judge Yaakov also accepted the argument that the colour yellow was considered a warm colour and was widely used in packaging for products such as matches, lighter fluid and the like.

Having rejected all claims regarding the product itself, Judge Yaakov then considered the websites and, since the defendants site was clearly based on that of the complainant, with similar text, including some creative uses of the packages such as keeping animals warm in transit, he ruled copyright infringement and awarded NIS 70,000 out of the maximum discretionary NIS 100,000 statutory damages and a further NIS 20,000 in costs.

T.A. 15307-11-09 SPB Equipment et al. vs. Elikal LTD. before Judge Abraham Yaakov, 26 August 2011.

COMMENT

When analyzing the different elements like colour, text, name, etc. individually, one comes to the conclusion that Judge Yaakov is correct. However, we note that following the A.Sh.I.R. ruling by the Supreme Court, it is clear that in lieu of other grounds provided by IP legislation, Israel case-law provides the possibility of seeking redress on grounds of Unjust Enrichment, at least where a product design is copied. What is required is some additional element indicating bad faith. Regular readers will no doubt be aware that I am not a great fan of this doctrine, but it is, nevertheless, good case-law which is supposed to be binding on lower courts.

In this instance, the defendant copied the trade dress, including colour, shape and the name of the product. The copying of the website is further indicative that the defendant was copying Popper’s product.

Although the body warmer is a product made in China, it is not generic in the sense that potatoes or plain tee-shirts are generic. There is a peculiarity in Israel’s outdated design law (Patent and Design Ordinance 1925) which requires absolute local novelty to register a design in Israel. It is therefore possible that the product design could have been registered by Popper.  I therefore wonder if the clear indications of EliKal targeting Popper’s market with an identical product in identical packaging shouldn’t be considered unjust enrichment? Even-Chen’s winning the army tender deserves a second look as well. In principle, as a tax-payer, I am in favour of the army purchasing identical products from the cheapest supplier. Did this happen here? I suspect that Even-Chen had extremely good contacts with the decision makers…

Presumably, once damages are awarded for copyright in this specific case,  the point is moot. Nevertheless, it seems to me that the courts are moving away from A.Sh.I.R. and favour free market competition which I see is a good thing.

This decision does illustrate the importance of distinctive names and packaging schemes to develop a reputation for a product. It also indicates that there is no protection for market share or importer’s rights. None of this should be surprising, but we constantly meet clients who want to patent a device they’ve seen abroad that they want to import into Israel, and descriptive and laudatory names are only too common.

The decision relates to a temporary injunction regarding the identical coloured product that was apparently infringed, and this case was firstly wrongly filed in the Magistrate’s Court.

We note that body warmers have been required by Israel’s generals since time immemorial. See Kings I 1:1-3.


Beanbag baby bath supporter design narrowly construed

August 31, 2011

Michal Ferst, a graduate of the Bezalel School of Art and Design created a baby supporter for aiding bathing a baby.

The device is an oval-shaped beanbag filled with polystyrene beans and covered with a stretch fabric.

A second company, Reem, Import and Marketing LTD., imported a competing product called Softeeze that is manufactured by Jagabon, a British Company.

Ferst sued Reem, claiming that her registered design was being infringed, and that they were passing off and guilty of unjust enrichment.

Noting that there were visual differences between the two designs and that the similarities that there were, could fairly be attributed to the purpose, and the fairly standard size and shapes of bathtubs and babies, Judge Varda Meroz dismissed all charges.

T.A. 41704-112-09 Ferst vs. Roem Import and Marketing LTD. before Judge Varda Meroz, Tel Aviv Central District Court.

COMMENTS

It is fairly rare for design infringement cases to be decided by the Israeli courts. In this instance, the ruling is a correct one. If the product is conceptually inventive, it should be protectable as a patent. The designs are sufficiently dissimilar that there is no registered design infringement or passing off.

I am in two minds concerning these type of devices. They may help support a baby and prevent drowning, but then again, may result in leaving the baby unattended. When our eldest was born we invested in a baby bath and a plastic support thingy for the baby. Never used it.

Reminds me of the grim old music hall song…

The mother turned round for a minute,
to get the soap from the rack…
She only turned round for a minute,
but o-oh when she turned back..

her baby had gone
and in anguish she cried
Oh where is my babe?
and the angels replied

Your baby has gone down the plughole
Gone down the hole for the plug
she was far too small
to be bathed at all,
and should have been washed in a jug…

your baby is perfectly happy
he won’t need a bath any more
he’s floating away down the drainpipe
not lost but gone before


Copyrights and Wrongs when Israel Partnerships Dissolve

April 10, 2011

 Shlomi Graphics is a graphics studio set up as a partnership between Avital Kastner and Liat Yifrach, both of whom are graphic artists. Despite the good intentions of the parties to work together, things didn’t work out and they parted company. Kastner took over the assets and obligations of the firm, including the name Shlomi Graphics, and there was an agreement drawn up and a sum of money exchanged.

Ms Yifrach began trading under a new entity Spektrum, and displayed examples of work from her time at Shlomi Graphics on the website www.spektrum.co.il, Ms Kastner considered this as copyright infringment and filed suit against her former partner, her partner’s partner in business and husband (partner and Partner?) and the new partnership, Spektrum. The grounds for suing were copyright infringement, unjust enrichment and passing off. The sum claimed for 30 designs displayed on the website was 30 times the maximum NIS 10,000 statutory damage under the old law, i.e. NIS 300,000. The fact that the firm Shlomi Graphics’ details were removed in the reproductions is also noted.

Not to be outdone, Ms Yifrach sued Ms Kaster, her husband and partner, and the partnership, for statutory copyright infringement and infringement of moral rights in 17 instances, claiming NIS 20,000 a time, i.e. NIS 380,000.

The designs related to business cards, invitations to weddings and similar events and flyers.

In 10 pages of analysis, Deputy President of the Haifa Court, Judge Gideon Ginat, noted that:

  1. there was no legal precedent regarding IP of partnerships
  2. neither the agreement creating the partnership nor that under which Ms Yifrach left it, related to copyright, unless ‘stock’ can be taken to mean copyright 
  3. the partnership owned the copyright of work jointly created during the partnership
  4. the agreement under which Ms Yifrach left the partnership could reasonably be interpreted as selling out all her rights as Ms Kaster understood it, but alternatively as selling everything other than her rights to her portfolio
  5. the judge went on to rule that since the main asset was the copyright, it was unlikely to have been included without consideration
  6. copyright law does not talk about joint ownership, but does relate to law of moveables. the Law of moveable assets relates to the law of property use which allows both parties to use a property but that they should inform each other.
  7. there were a couple of designs in which it was clear that one party was the designer and trading under Shlomi Graphics did not cancel moral rights, nevertheless the sides did not sue on these grounds
  8. appart from one design which included  photos of the children of one party which he ruled neither side could use on the Internet, Judge Ginat ruled that both sides had equal copyright and could display images of the creations on their websites, and Ms Yifrach could remove the name Shlomi Graphics which is a trademark and not a design element.
  9. The claims and counterclaims were dismissed and no damages were awarded.

The Case: T.A. 1097/07 Dfus Shlomi Graphics v. Spektrum Dfus and/or Keshet Productions, before Judge Gideon Ginat, Haifa District Court, 01/04/11 

Comments

In my opinion, this 10 1/2 page dissertation misses some interesting and relevant points:

  1. With graphic designs for business cards, invitations and flyers, the copyright may well be the property of the clients and not the artists. Work for hire is not the same as employee’s creations. Nevertheless, there may be an implied contract that the client owns the rights to the design for his business card. It is not clear to me that a customer ordering a design cannot order reprints elsewhere. I am not sure that the client cannot reasonably expect that the design not be reused. I think this aspect is worthy of analysis.
  2. Is display of a graphic design for a flyer or an invitation on a website infringing use or fair use? If the copyright belongs to the client, I would argue that the designer has the right to display on his website under the doctrine of fair use. Even if copright belongs to a previous employer or to someone who bought the partnership, it may still be fair use. I sometimes give examples of published patents I’ve written for clients as examples of my work. I don’t see that it should matter if it is work I handled as a partner of a firm or an employee.
  3. If, whilst the partnership lasted, the partners did not write their names on the designs, but only the name of the firm, I think that can fairly be considered a waiver of their moral rights. I am also not sure that there are moral rights in such designs anyway. Indeed, as functional objects created for mass production, one could argue that the correct protection is as a design, and failure to register a design puts them in the public domain.
  4. The judge has noted an absence of relevant case-law and has come via the law of tangible objects to consider land usage. There is, however, a difference between copyright and tangible property, particularly land, in that the first is a legal right of property over something that can be copied many times and the copyright isn’t a right of use but a right to restrict others, whereas tangibles are limited and use by one restricts use by the other.
  5. The Basic Law Freedom of Property Section 8 allows limitation of property of a person only on the basis of the Law, and only in a minimum way. I was surprised that this was not mentioned.
  6. When there is no modern Israeli case-law, judges are supposed to refer to Jewish Civil Law precedent. In the current case, there is a very famous Mishnaic precedent that screams out: two people holding one says it is all mine, and the other says half is mine, the division is 75%:25% Baba Mezia 1:2.   – if the copyright remained the property of the design house and not of the customer,  Ms Kastner claims full rights whereas Ms Yifrach only claims equal rights, i.e. a half.

Designs For Rubber Seals?

April 6, 2011

  

Modern Israeli homes and schools are built with sealed rooms. These reinforced rooms with special concrete are designed to provide protection from rockets and from chemical and biological warfare.

Termo-Gumi LTD. (Thermo Seal) have a registered design (no. 310007) for a window seal for the regulation window of a sealed room. The seal was registered in class 25(1) as a rubber seal for an aluminium profile. A cross-section of their window seal is shown above. 

Agmon, the Company for the Manufacture of Rubber and Plastics LTD initiated an annulment proceedings challenging the validity of the registration on the grounds that the seal had been prior exhibited, with a supplementary argument that the seals being manufactured were slightly different from the seal as registered. They also argued that since the seal was sold cut to size, and the registration only showed a section, as would be suitable for continuous extrusions, the registration was invalid as not indicating the appearance of the seal.

Shalev Shmulovich argued that the design as registered was slightly different from those previously available, and reproduced images from the catalogues and from previous registrations. He also ruled that the slightly different profiles of the seals actually being manufactured with regards to the shape of the aperture and of the tongue were both the results of tolerances when extruding rubber. He ruled that the customer was the building contractor and not the home purchaser, and considered the design to be sufficiently novel and original to be registerable.

The annulment proceeding was dismissed and costs of NIS 30,000 were awarded to Termo Gumi.

The case: Annulment Proceedings Concerning Registered Design Number 31007 to Termo Gumi LTD, brought by Agmon Company for Manufacture of Rubber and Plastics LTD, before Noach Shalev Shmulovich, 4 April 2011.

COMMENTS

The Deputy Commissioner, Noach Shalev Shmulovich relied heavily on Russell-Clarke & Howe on Industrial Designs, a leading text in the field. He also quoted heavily from US design rulings. He ruled that the amount of novelty required for design registration was slight and so is the work around. The judge is supposed to put himself in the position of the customer and compare the design with others on the market.

This is all well and good. The problem is that rubber window seals for sealed rooms are purely functional and, when window is closed, are not seen. The only justification given in the ruling for allowing a design registration for this type of thing is that if the current design is not registerable than nor is the previous design. I submit that this may indeed be the case!

There is insufficient Israel case-law on the design registerability of purely functional objects. In the US, at least, a design patent for such an object would not have the novelty and aesthetic non-obviousness to stand up in court. Consequently, the citations from US case-law are at best, irrelevant.

There is another problem. the component is not merely functional, but is also essentially a replacement part.

I think seals for such purposes may need to conform to various standards and could be packaged with a manufacturers name or on a roll with the manufacturers name on it, but am not convinced that the correct balance between competition law and the conflicting interests of the manufacturer, competitors and the public is to require the competitor to design around components of this nature.


Ripping Off Rings – Another confused decision by the Israel Court

March 29, 2011

H Stern's ring

H. Stern, a Brazilian jewelry manufacturer with many retail outlets in Israel and an international presence sells a finger ring. The ring is a flat gold band with a diamond encrusted oblong section and the rest of the band being polished to a mirror finish. The band is also decorated with a pentagram or Seal of Solomon on the shiny part on each side of the diamond oblong. 5 pointed stars are also engraved on the inside of the band. The ring is known as the Juliana model.

Aryeh Pozylov, through various companies including Orneal LTD, Nitfaz (a pun on nitfas, i.e. snapped up) and Pozylov Diamonds marketed a somewhat similar but substantially cheaper ring which has Star of David (Magen David, or Hexagram) decorations.  The pentagram is a registered trademark for H. Stern, chosen since Stern means a star.

Stern sued Pozylov invoking a number of causes of action including:

  •  trademark infringement
  • well-known mark infringement
  • passing off
  • copyright infringement
  • unjust enrichment
  • dilution
  •  stealing reputation and confusing the consumer

The Ruling

As to trademark infringement, Judge Pilpel ruled that the pentagram and the hexagram are arguably confusingly similar to look at, but for jewelry, the purchaser is particularly careful. She went on to rule that this is not all that relevant since according to Judge Gronish in the Taam Teva decision, when applying the so-called triple test, the appearance of the mark is of less importance than the sound of the mark when considering the “sight and sound test”, and pentagram sounds different from Magen David, therefore there is no likelihood of confusion(!)

Although the products under consideration are rings in both cases, since H. Stern does not sell via third parties, there is no real likelihood of confusion. Finally, Judge Drora Pilpel applied the fourth part of the triple test, the so-called ‘clear thinking test’, and decided that even though the sound of the mark was different (the ringing of the ring?), since the conceptual idea between Stern’s mark was to imply the maker, using a star (Stern being German for Star) as a maker’s mark, whereas the defendant’s Star of David implies made in Israel, there was no likelihood of confusion.

As to whether the trademark of the pentagram was well-known, Judge Pilpel related to the issue at some length, which is surprising, since she has already decided that there is no trademark infringement. Nevertheless, she decided that it wasn’t, despite the complainants remonstrations to the contrary.

The judge acknowledged that the plaintiff had a reputation for the Juliana design and that it was associated with them to some extent, but did not think that the public would be confused as to the source of the goods since H. Stern only sells rings in their own shops.

The defendant argued that copyright could not be applied since the ring could and should have been protected as a design. The judge dismissed this in a strange line of reasoning that I had difficulty following. Essentially, she argued that this was true of mass-produced machine manufactured objects but not of hand-made goods, and although clothing could and should be protected as designs and were not protected by copyright, jewelry could be.  She went on to rule that the combination of the shiny band, diamond encrusted oblong and stars were protected by copyright(!)

 Having recognized copyright in the combination of the three design elements, the judge went on to rule that the fact that one ring had hexagrams and the other pentagrams were not significant enough to alter the fact that the defendants ring was a blatant copy.

Since she had found copyright infringement, the judge considered the question of unjust enrichment irrelevant.

As to dilution and stealing reputation, the court threw this out for lack of proof of damage to H. Stern.

In conclusion, the judge found statutory damages of NIS 20,000 under the Copyright Ordinance of 1911 that was in force when the case was filed, and in the alternative, found that the plaintiff would be entitled to profits made by the defendant from the infringing rings. The judge also awarded NIS 40,000 costs.

Finally, the judge ordered the unsold stock of rings and the molds to be destroyed and for the defendant to cease advertising or selling these rings.

T.A.  1253/05 H. Stern Brazil and H. Stern Israel vs. Ornil and Pozylov, 13 March 2011 by Judge Drora Pilpel

Comments

Had the plaintiff filed a design registration they could have got an injunction and enforced their rights more simply and quickly.

The honorable judge apparently has little idea of how to apply the so-called triple test. The test of the sound and appearance of a trademark has relevance for a word mark, where goods are chosen by sound. The fact that Pentagram and Magen David sound different is totally irrelevant. The only question is whether the pentagram is recognizable as a trademark when applied to the ring, and whether the hexagram is confusingly similar. If the mark is seen as part of the design or the two marks are considered as distinctive in context, then there is no trademark infringement. If, however, the marks are confusingly similar, then there is trademark infringement. The fact that the word hexagram has two identical syllables as pentagram is totally irrelevant.

I suppose it would be churlish to point out that neither of Stern’s registered trademarks is actually for a single pentagram.

Stern’s Israel trademark registration number 170325 is for a five pointed star, not for a pentagram at all. The stars on the inside of the band are a registered trademark, the pentagram on the outside with a diamond in it, is not.

Does Stern use the pentagram on all their jewelry? Is the symbol widely used by them on the reverse of pendants, bracelets and rings? If so, it may fairly be considered as an unregistered trademark. Otherwise, it would probably be considered a design feature by the purchaser or the receiver of the gift. Only if it can fairly be considered as being a trademark at all, is the issue of whether the hexagram mark is confusingly similar.

In this regard, the hallmark for Britannia grade silver (95.84%) is a leopard head or a lion head erased, or, since 1999, with the number 958. The UK sterling silver hallmark is a lion passant. Sterling silver in Israel is indicated by the number 925, and Russian Silver by the number 880. These numbers and hallmarks are indicative of the relevant degree of similarity for trademarks in this field. I am not a judge. The right honorable Ms Pilpel is. She should, however, apply her judgment to relevant issues.

As to the issue of Stern only selling via their retail outlets, the point has some relevance, but would the receiver of a gift know where it was bought? Is jewelry never sold second-hand? The clear thinking test was anything but.

The judge really meant to say was that the purchaser would consider the Magen David a design element, not an indication of the source fo the goods. Therefore there was no trademark infringement.

No design was registered, and therefore there was no infringement.

As to copyright, in Israel although the design law which dates back to the British Mandate is sorely in need of revising, there are no unregistered design rights. Any mass-produced article is protectable as a registered design and is protectable for up to 15 years. By allowing copyright protection for such goods, presumably for life of the creator + 50 years, why would anyone register designs?

Since H Stern’s ring was designed for mass production, there is no copyright. That said, having wrongly established copyright the judge was correct in seeing it infringed by the defendant’s ring.

I am also unimpressed with the judge seeing copyright in the combination of three design elements, since H. Stern had argued that the pentagram was a trademark and not a design element. This should have estoppeled them from claiming it was part of the design, and with just the polished band and diamond oblong bit, Stern’s ring would not be sufficiently distinctive to attain copyright protection even if copyright applied, which in this case, under Israeli law, should not.  

It is a shame that the judge found it superfluous to rule on unjust enrichment because one assumes that the finding of copyright infringement would not stand up in court. Following the high court ruling in the A.Sh.I.R. case which is good legal precedent (even if arguably a poor decision), there are grounds to apply the Law of Unjust Enrichment where designs were not registered, if there is evidence of bad faith. In this case, I am not sure that there are grounds,  since I see this as an unregistered design in the public domain, nevertheless, think the judge could have been more thorough.


Alice in Diaper Land

February 13, 2011

Tal Children’s furniture LTD supplied their baby changing table to Shilav, Israel’s leading chain of baby furniture, clothes and accessories.

In the course of time, Shilav found a supplier, Texture Furniture LTD,  who could supply the identical design at a quarter of the price. Not surprisingly, Shilav switched suppliers. Tal Children’s Furniture LTD accused the second supplier of ‘passing off’ their product and also infringed on their IP rights.

Since any association of the goods by the public was with Shilav, not the manufacturers, and since there were no registered IP rights, the case was dismissed and the complainant was ordered to pay NIS 10,000 costs to each defendant. 

COMMENT

The furniture in question apparently had two small drawers opened by inserting fingers and a couple of larger draws with two handles. The figure taken from Shilav’s current catalogue is thus not identical to the design in question, but is fairly indicative of the type of design masterpiece in question. Also known as Dressing table 57, the unit, together with bed 17 and polka-dot sheets was fancifully marketed as the Alice in Wonderland Set.

The decision is correct, but the mental gymnastics performed by Judge Chana Yinon, the citing of irrelevant case-law and the general write-up of the decision makes for tiring reading. This ruling could have been as short as this summary. 5 pages of discussion was quite unneccessary. 

T.A. 35573-07 Tal Children’s Furniture LTD vs. Texture Furniture LTD


Israel Patent Office Refuses to Reinstate Lapsed Design – Claims no Authority to do so

February 7, 2011

In a decision concerning Israel Registered Design Number 40394 to Ran Gorenstein, the arbitrator of Intellectual Property at the Israel Patent Office, Ms Yaara Shoshani-Caspi, refused to reinstate a lapsed design.

Counsel for the registrant of the lapsed design argued that the design had lapsed due to an administrative error, suggested that this was little more than a scribal error in the register, and requested a retroactive extension of the six month grace period for late payment of the renewal fees.

Shoshani-Caspi refused the request, arguing that Section 54 of the design regulations of 1925 only gave the Commissioner of Patents and Trademarks authority to extend time periods detailed in the regulations, and gave no authority to extend time periods in the ordinance itself. She was not impressed with the suggestion that the change was merely scribal, but ruled that this was irrelevant anyway, since according to Section 44 of the Ordinance, the only body with authority to amend the register to include a design no longer listed, was the District Court.


Design Ruling for a Quick-fit Electrical Plug registration Provides Insight into Spare Parts Protection in Israel

December 15, 2010

In Europe, one can register designs for automobile parts. However, as a matter of policy the European courts will not enforce car manufacturer’s claims against suppliers of generic parts, considering that the public interest is served by enabling them to repair their cars cheaply. This decision clarifies the situation in Israel.

 E. Fetaya LTD. Electro Mechanical products. http://www.fetaya.com applied to register a design for an AC power plug, i.e. an electrical power connector.

Their novel plug consists of three elements which can be assembled without a screwdriver or other tool.  The original application as filed showed the separate elements from all sides. The elements are reproduced below:

Technical readers will have little problem seeing how the three-piece puzzle fits together. The design is somewhat different from standard plugs, but in the main is dictated by functional conisderations such as compatibility with flexes and standard Israel sockets.

In a first office action, the Examiner decided that there were two separate elements: (a) the complex construction of the plug, and (b) the locking element. The Applicant was requested to choose one element and to supply replacement figures (line drawings), and if protection for the second element was desired, the applicant could file additional design applications that would bear the original filing date.

In a first response (and not unreasonably), the Applicant pointed out that the two elements were complimentary parts of an integral whole, and were not to be considered separate entities; this being the design concept.

A couple of months later, the Applicant submitted a new figure showing the assembled power plug.

In response, in a second Office Action, the Examiner alleged a lack of similarity between the original figures as filed and the new figures. Additionally, the separate figures of the components were not acceptable.

The Applicant tried in vain to explain that the parts were sold as a complete unit, and not as the separate components and if the separate parts were unnecessary, why require submission of replacement figures for them?

Three months later, following a telephone conversation discussion with the Head of the Design Division, it was agreed to split the application into three separate applications: one for each component – front, back and locking element.

In a third Office Action, 28 months after the original filing, the Design Department ruled that the items shown in the application were not protectable as a design at all, and issued a final rejection.

A month later, the Applicant appealed to the Commissioner to consider the case based on the file-wrapper and pointed out that the Design Ordinance of 1926 (still in force) allows disassembled views of devices to be filed.

Additionally, the applicant pointed out that design registrations for various parts such as rubber gaskets and seals and profiles of aluminium extrusions for window frames were regularly applied for and issued by the israel Patent Office. In a creative argument, the applicant claimed that at that stage, the parts were also sold separately. The Applicant requested that the final rejection be reconsidered rather than the appeal to the Commissioner being considered an Appeal, which would incur unjustified expense. Finally, the Applicant suggested that the parts could be considered a set under the Section 5 of the Design Regulations of 1925.

The commissioner allowed the assembled plug design to issue as the original application, since the parts were all included. The logic being that despite most of the unique design being functional and internal and therefore irrelevant, the assembled construction did differ slightly from other plugs on the market and these differences were partially aesthetic and therefore registerable.

The divisional applications for the individual components were refused as even if now sold separately, they are simply replacement parts and not registerable since parts required to fit into a space as part of a machine were not registerable. The Commissioner cited an English language text-book: On Industrial Designs by Russell-Clarke and Howe, Sweet and Maxwell (2005).

 The two passages quoted follow:

“A design right shall not subsist in features of appearance of a product which must necessarily be reproduced in their exact form and dimensions in order to permit the product in which the design is incorporated or to which it is applied to be mechanically connected to or placed in, around or against another product so that either product may perform its function”  Chapter 2-23. This is actually section 7(2) of the European directive:and is based on the UK Design Law CDPA 1988  Section 213(3)(b)(i). 

“One purpose of this “must fit” exclusion would appear to be to prevent monopolization of replacement parts by a maker of original equipment. Replacement parts may be needed to repair a machine by replacing a part which is worn out or broken…”. Chap 4-16.

As to the set argument, the Commissioner suggested that the regulation related to something like a set of artificial fingernails. 

COMMENTS

The Case and the Decision

The examiner and the Agent for the Applicant could have handled things better. The final ruling was correct, but the time delays and aggravation involved in getting the design allowed were unfortunate and unjustified.

I have had similar experiences with trying to get designs for clock hands registered, and sweated blood trying to explain why I showed the parts separately and assembled on a clock face (disclaimed) at different times, and had various inane requests thrown at me like showing the hands from all six-sided and in isometric projection, followed by a request to show the hands opened and closed. I tried citing the regulations and received the response from the Examiner that she didn’t know there were regulations for designs as well [as for patents and trademarks]!!

Wider Implications

The significance of the decision is, as often is the case, in the obiter and between the lines.

  1. The Commissioner refers to a European textbook and the European directive.
  2. Israel case-law is not cited.

I have tried in vain to find Israel court decisions in cases brought by original automobile and printer manufacturers against importers of generic spare parts.  Grounds for such actions may include registered design infringement and unjust enrichment.  It seems that the Commissioner couldn’t find any Israel decisions either…

In Europe, designs are registered without substantive examination, so one can register automobile parts. However, the courts will not grant injunctions or damages to the car manufacturers. This is a matter of policy. They consider that the public interest is to enable cars to be repaired cheaply and efficiently, and they therefore prefer to prevent the manufacturer from selling the car twice by awarding monopoly rights that enable extortion of locked in consumers.  

It appears that the commissioner is taking this position, at least as far as registering internal functional parts are concerned.  Possibly, repalcement wing mirrors and headlamps might be considered differently. (Since my driving and parking skills are inferior to my IP acumen, I am aware how expensive the suppliers parts can be).

At least until now, it has been possible to register designs for ink and toner cartridges in Israel. In previous discussions with the head of the Design Section at the Israel Patent Office, it transpires that at least prior to this decision, he had no qualms about registering car parts.

As to the fingernail example of the meaning of a set for design purposes, this seems to be an overly narrow interpretation. Until now, it has generally been considered that the various elements in a set of cutlery (flatware / silverware), the various chessmen, and other elements sold together would be considered as a set that can be filed in a single application.


Are fonts registerable designs or creations that are automatically protectable by Copyright?

October 12, 2010

 When Hebrew versions of Microsoft Windows and Office applications were released, a number of Hebrew fonts were part of the package. These included Narkisim, a serif font created by the late Zvi Narkis, and the Koren Publishers Jerusalem Ltd’s Koren font, which was specially developed for use in the first Hebrew Bible to be typeset and printed in Israel.

The estate of Zvi Narkis and Koren Publishers Jerusalem Ltd, together with Masterfont Ltd. filed suit against Microsoft Israel and Microsoft Corporation, claiming copyright infringement. Microsoft’s defense was that the correct form of protection for typefaces is design registration. Since copyright and design are mutually exclusive, typefaces are not copyright protected. No design registrations were filed and even if they had been, they would have lapsed 15 years after filing. Consequently, the fonts are in the public domain.

The moral right of the creators is acknowledged as the fonts bear their names. If copyright protected, the protection would last for life of creator plus 70 years, and the owners could prevent Microsoft from using the proprietary fonts, or could demand royalties. Since there is an issue of pure law at stake – the correct kind of protection for fonts and typefaces — with the complainants’ agreement, Judge Ofer Gruschkopf combined the two proceedings as far as the legal question of the correct form of protection is concerned and his ruling follows.

Copyright protection for typefaces

A typeface is designed for reproduction and multiple reuses but as something that merely marks the paper, is it an article of manufacture at all? Does the shape of letters provide the minimal requirements of creative expression to be protected by copyright?

Judge Gruschkopf’s ruling starts by defining a typeface. The 1976 US Copyright Act defines typefaces using the term “repeating design elements.” The Vienna Agreement for the Protection of Type – which was never implemented — also refers to sets of designs of letters and alphabets, with accents, numerals, punctuation marks, symbols, etc. The essential feature of a typeface is that it is not purely functional.

Microfont and Zvi Rosenberg, the co-plaintiffs with Narkis Estate and Koren Publishers Jerusalem Ltd, digitized the fonts for modern use. Judge Gruschkopf noted that both sides agreed that typefaces per se are protectable and merely argued as to the correct form of protection to apply.

Citing the New Copyright Law 2007, Judge Gruschkopf ruled that legislation in Israel Law prevents something registerable as a design from also being protected by copyright. Essentially Section 4 of the New Copyright Law extends copyright to original artistic works and Section 7 excludes designs as covered by the Patents and Designs Ordinance, unless not intended as objects of manufacture.

I find this a little strange. The fonts and Microsoft’s use thereof predates the 2007 Law and I think the old law is the one that should be used. The judge does relate to this issue in footnote 10 – a piece of Talmudic erudition. In the Interlego case, where the issue of copyright protection for Lego pieces was discussed, Supreme Court President Shamgar ruled that the protections are mutually exclusive and where something is protectable as a design, it should not be entitled to copyright protection. The judge also points out that passing off and unjust enrichment could be relevant grounds for suing.

Apparently, the only time the issue came before the Israel Courts in the past was in a 1949 decision by Judge Isaac Kister regarding a font called Aharoni. In that case, Kister ruled that fonts could be registered as designs, but as the present ruling notes, at that time the term “fonts” meant the article of manufacture used for printing rather than the marks they leave on the paper.

Fonts are no longer articles of manufacture in the same way. Kister’s ruling from another district court is not binding as the two courts are of the same competence in terms of judicial hierarchy. Furthermore, only the abstract of Kister’s ruling appears to be available because district court decisions were not always published in full.

Other “relevant” rulings include the Peleg decision, where ritual calligraphy (STaM) is seen as being protected by copyright. However, by nature, calligraphy is a hand-drawn artistic work that is not intended to be reproduced. In a June 2010 decision regarding a temporary injunction, Jerusalem District Judge Noam Solberg stated that study of the case -law teaches that computer fonts are creative works protected by Israel Copyright Law.

Here I have a problem. Either Judge Solberg is correct and there are other relevant rulings other than Kister’s, or else his ruling is baseless. Why didn’t Judge Gruschkopf pick up the phone to him?

Regarding Comparative Foreign Law, the US has declined to allow the design of typefaces in the 1976 Copyright Act and in the subsequent 1978 Eltra Corp vs. Ringer 579 F.2d decision, apparently to the dismay of the Nimmers (Nimmer on Copyright 2.15). It seems that the decision implies that a physical separation between function and creativity is required, whereas arguably a theoretical separation should suffice. Nevertheless, it appears that in the US, a design patent is the way to protect fonts.

The UK 1988 Copyright, Designs and Patents Act defines copyright in fonts including typefaces but limits protection to 25 years for reproducing and distributing the fonts, but not for typing with them. Judge Gruschkopf sees this as indicative that they are protectable by copyright.

I tend to view that this indicates that hard fonts in type metal are protected as designs. I agree that this isn’t of cutting relevance to the protection in question. 

The judge seems to get hung up over the design law relating to designs for different articles whereas a printed letter is not an industrial article. There is a little ramble through other non-design protected articles and quoting Terrence J. Carroll on Protection for Typeface Designs. He rules that a typeface design is no more a design for a font than a photograph for a book cover is a design for a book cover. Where we are left is some creative linguistic definitions and an understanding that a mold or die is the opposite of that molded or printed and that modern printing is different.Judge Gruschkopf goes on to quote Judge Cheshin’s musings in the Tele-Event decision that extended copyright to live broadcasting. In this decision Cheshin  points out that the old and good Copyright Law dating to the British at the turn of the 20th century is anachronistic and does not adequately relate to modern issues like the Internet, satellite broadcasting etc.

After deciding that he can choose between the forms of protection and is not bound by either, the judge decided that copyright is more appropriate for protecting fonts and prefers to avoid the mental gymnastics required to read fonts into design law. Not entirely happy with 70 years of protection, he suggests that the Knesset should enact  special legislation for fonts since he can only choose between the protections available.

Comment

We note with approval but the published decision – which in all probability was written in MS Word® — did not use either font in question.

The Koren Publishers Jerusalem Ltd themselves only use the font for the Bible. Even in their prayer books they reserve the original biblical font for psalms and other biblical passages. Other prayers are in a variant font. We suspect that obtaining an injunction against Microsoft to prevent the font being usable by all and sundry for all purposes may be an aim of the litigation. 

Philosophically, as a materials scientist and engineer I find the question a little like discussing the macro-properties of materials in the context of atoms and molecules or the chemistry of subatomic particles. It is really getting down to the nuts and bolts of creativity and manufacturing. 

Despite the Former Supreme Court President Shamgar’s ruling in Interlego and the position of the current Commissioner of Patents which is mentioned in the present decision in an aside relating to an academic paper regarding copyright for architectural creations. I do not agree that the doctrine against double IP protection should prevent the aspects of a creation that are manufactured objects from being protected as objects of manufacture – registered designs – and the creative aspects of their footprint being awarded copyright protection.  Therefore I don’t agree with Microsoft’s position that design protection should rule out copyright protection.  I believe that the design protection would cover the typeset in type metal as an object of manufacture and the printed typeface on the paper, if considered sufficiently creative should be protectable as copyright.

If the doctrine of double protection is correctly applied in this case, I would argue that Narkis and Koren could have gotten design protection for the cast metal typeset and thus the print thereof is not copyright protectable. If so, the fonts were in the public domain by virtue of being produced using traditional printing and I do not see why the mere act of digitization should create a copyright in something already in the public domain.

One could argue that awarding design protection to traditional typesets and copyright protection to post-digitization modern True Type fonts is problematic. Is it really? Isn’t this the opposite of copyright protection for one-off creations but design protection for objects of manufacture?    

I am happy to consider digital printing as a form of manufacturing and I see no reason why a letter cannot be the building block of an industrial printing process and should be protectable as a design. I prefer that line of reasoning rather than to see fonts as creative works in a copyright sense. Then again, conceptually I believe that software inventions should be patentable and consider life plus 70 year copyright protection for the code to be inappropriate.  

The idea of lex specialis copyright for fonts to provide a shortened term but not requiring registration does seem reasonable. Certainly if chip circuitry is protected by copyright, why not fonts? However, I am not sure why chip design should not be design protected. After all, they are objects of manufacture.

Judge Cheshin’s obiter regarding copyright limitations is not overly relevant as fonts existed when the design ordinance was drafted. Therefore, in my opinion, there is a 1949 Israel ruling that fonts are designs and so the current ruling is an about face. This should at least minimize the damages that Microsoft should pay in the future ruling.

The real question seems to be whether digital printing should change the protection of fonts from design to copyright. I think not, as this simply extends protection from 15 years to life plus 70 years following digitization.

T.A. 5311-04-08 Narkis and Others vs. Microsoft.

T.A. 5311-04-08 Koren and others vs. Microsoft.


Follow

Get every new post delivered to your Inbox.

Join 93 other followers